Stories Behind Original Nature Artworks: A Newcastle Printmaker’s Blog

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‘Returning to Spring’ - A Stunning Collection of Contemporary Landscape Artworks by Heather Moore

Walking through woodlands and parks can be such a meditative experience, especially when you do it free of technology. You can be on the outskirts of a city and still feel cocooned in nature only a metre or so into the trees. It becomes a multi-sensory experience between the ever changing colours in the wildlife and the skies, the textures of the rough bark and delicate flowers, the smells of blossoms and the sounds of the birds chirping and scurrying.

Spring feels like a time for renewal, growth and coming back to life after a dormant and dark winter. It’s the time when the colour returns to the world and reignites our energy. A little more sunshine makes all the difference to our mood and the new blooms punctuate it with added joy.

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Heather Moore Heather Moore

A Commission Full of Heart: Celebrating a First Anniversary Through Art

There’s something incredibly powerful about giving art as a gift. It’s personal, lasting, and made with intention — especially when it’s created just for someone you love.

When it comes to meaningful milestones, few are as symbolic as the first wedding anniversary. Traditionally known as the paper anniversary, it’s a beautiful opportunity to reflect on the first chapter of your life together and to mark it with something thoughtful and lasting. A bespoke lino print — handmade on paper — couldn’t be more fitting.

“I didn’t know what I was looking for. I’ve never had ‘real art’ before – only the occasional print I’ve picked up at markets.

I love your colours. The way you see something and transform it into your own perspective is so beautiful.

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Heather Moore Heather Moore

Creating the ‘Conker Hunt’ Lino Reduction Print

Lino reduction print has become my favourite way to work over the last few years. When I explain it to people, it blows their mind how I can work this backwards process out as I go but it’s that uncertainty that is part of the appeal for me.

With this piece I really wanted to work more instinctively than I have in the past so I only traced off the sky, trunk outlines and bracken.

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